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Faith's Video Ministry
When Faith
Baptist Church initially decided to start videotaping special events and
pageants, we naturally turned to local businesses for our video needs. However,
we soon realized that God had blessed our church family with the means to start
our own in-house video ministry. By using our own members and producing the
videos in-house, we realized that we had more control over the quality and
impact of the final results.
Through member
donations and support, we were able to purchase the bare essentials to get us
going. Initially all we started with was a small video mixer, a TV monitor,
some borrowed camcorders, and a bunch of cable TV wire. Although we
weren't about to win any Academy Awards, the love and dedication that was put
into that first attempt far exceeded anyone's expectations and encouraged us to
continue in the direction that God was leading us in. We continue to upgrade
equipment as we are able, but we firmly believe that our greatest asset is our
faith and our volunteers.
Video
Ministry Volunteers
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Laurie Dell heads
up the Video Ministry and is responsible for production and duplication of all
videos. During a typical taping, she can be seen in the video booth monitoring
the individual camera images and operating the video mixer. She's in constant
communication with our cameramen via headset radios so that she can direct their
efforts during taping. |
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Jeff Klein is our
video technician who helps design our video setup, sets up the video equipment,
provides technical support and runs the audio mixer during tapings. On a typical
taping day, he can be seen running around like a chicken with its head cut off
until at least 10 minutes into taping.
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Mike Simmons is
one of our regular cameramen and graciously provides the use of his two Canon
GL-1 video cameras in addition to the two that Faith now owns. He is also very knowledgeable in videography and regularly
provides advice and support to the Video Ministry.
Here we
see a rare picture taken by a brave, and unsuspecting, young
photographer...(who is still listed as missing).
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Other
volunteers include:
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| Renee Mattison |
John
DeNuto |
Lee
Salley |
| (Picture Coming Soon!) |
(Picture Coming Soon!) |

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| Katie
Salley |
Leslie
Young |
Darrel
Sell |
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|
(Picture Coming Soon!) |
| Matt
Harrison |
Patrick
Harrison |
Tyler
Harrison |
Video
Equipment and Setup
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For video mixing, we use the Panasonic WJ-MX20, a four channel analog
video mixer which allows us to connect up to four cameras using either
common video RCA or higher quality S-video connectors. Camera images to the mixer
and the final output can be monitored in the video booth. The video
mixer output goes to the VCR and Digital Video recorder for recording, as well as to
the gymnasium for overflow viewing. |
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In the beginning, we started
with borrowed personal camcorders for our video cameras. Shortly
afterwards, Mr. Mike Simmons was kind enough to allow us the use of his two
Canon GL-1 semi-pro camcorders. We liked them so much that we later
purchased two of our own, allowing us to run up to four Canon GL-1's
during our Pageants and Special Events. The GL-1 can output video over composite video
(via the RCA jack), Y/C Video (via the S-Video jack) or Firewire (via the IE-1394 jack). |
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Cabling for our video feeds is
mostly RG-6, although we do use some RG-59 for some of the
mixer/monitor/VCR interconnections. Currently we have dual cables run to
jacks on the left, right and stage sides of the sanctuary and a dual set
for the Family Life Center overflow feed. We use one cable run per
camera via RCA connectors, which gives us a spare and also a way to send
video back the other way (i.e. for a stage video monitor). |
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Camera and playback signals to
the video mixer are monitored and previewed using the Sony SSM-930 black
and white 9" television monitor. These types of monitors are
specially designed to pass the signal "through" the monitor
rather than splitting the signal. Simply splitting the signal with a
"Y" cable or adapter would cut the signal strength in half,
which hurts the appearance; these monitors maintain the proper signal
strength while monitoring the signal.
There is also a special "75
ohm" switch, which selects or deselects the proper termination
impedance for video cabling to prevent "ghosting" in the video
image. |
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All audio and video
interconnections supplied by different sources of AC power are
transformer-isolated with Jenson Isomax and Rolls HE-18 isolators to prevent "ground loops" (current
which flows between power sources over the AC ground wire). Ground
loops cause drifting lines in video and hum or buzz in audio. |
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The Main Sanctuary Projector
is a Mitsubishi XL5900U LCD projector, supplying 4000 lumens of
brightness at XGA resolutions to the 10'x12' main sanctuary video
screen. Common uses are praise and worship lyrics, video clips, and
weekly announcements. |
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The Rear Sanctuary Projector
is a Mitsubishi S490U LCD projector, supplying 2600 lumens of brightness
at SGA resolutions to the 6'x8' rear sanctuary video screen. This
provides a copy of the main screen material to the Worship Pastor and
Choir. |
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The Family Life Center
(Gymnasium) Projector is a Sanyo PLC-XP55 LCD projector with a long zoom
lens, supplying 4500 lumens of brightness at XGA resolutions to the
8'x10' Family Life Center video screen from extreme distances. The high
room light levels and increased distance from the screen require this
projector to be even more powerful than the Main Sanctuary Projector! |
If your response to
reading any of the above descriptions was "cool!!", you may just have
found a place in our little group of tech geeks. Contact Laurie Dell for
information on how to join our band of merry little men and women!
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